Veranstaltung

LV-Nummer 3132 L
Gesamt-Lehrleistung 42,67 UE
Semester WiSe 2025/26
Veranstaltungsformat LV / Seminar
Gruppe 1
Organisationseinheiten Technische Universität Berlin
Fakultät I
↳     Institut für Kunstwissenschaft und Historische Urbanistik
URLs
Label
Ansprechpartner*innen
Carta, Federica
Verantwortliche
Carta, Federica
Sprache Englisch

Termine (1)


Do. 16.10 - 18.12.25, wöchentlich, Do. 08.01 - 12.02.26, wöchentlich, 10:00 - 12:00

Charlottenburg
,
A 072

Institut für Kunstwissenschaft und Historische Urbanistik

42,67 UE
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New Renaissance technique, and new technologies for art history: Luca Della Robbia’s invention of glazed terracotta and 3D digital technologies. (Seminar)
1
Charlottenburg, A 072
Fr.
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New Renaissance technique, and new technologies for art history: Luca Della Robbia’s invention of glazed terracotta and 3D digital technologies.

Seminar

Dr. Federica Carta

 

BA + MA

BA KuWi 2 und MA KuWi 1

Donnerstag, 10-12.00 Uhr c.t.

A 072 and DigiLab

 

The seminar will be in English

 

Number of students will be limited to 15 for the session in the Digi-Lab

 

In the 1430s, the Florentine artist Luca della Robbia developed glazed terracotta, a technique celebrated by the artist and historian Giorgio Vasari as a “new, useful, and most beautiful art.” By merging the renewed interest in terracotta sculpture with the ceramic glaze techniques of archaic maiolica, della Robbia created a versatile medium, suited to small-scale and monumental works that flourished in Florence and beyond.

This seminar examines the diverse output of the Della Robbia workshop, its technical innovations, and its dialogue with contemporary artistic practices. Operative across three generations, the workshop’s later exponents, Girolamo and Luca the Younger, worked for the French court, serving Francis I, Henry II, and Catherine de’ Medici.

Though marginalized by 16th-century Classicism and further overlooked during the 18th-century Neoclassical revival, Della Robbia’s glazed sculptures experienced a resurgence in popularity during the 19th- and early 20th- centuries. This renewed appreciation led to the dispersal of works into private and public collections across Europe and the United States, a phenomenon we will critically assess.

As a starting point for a new Art History Digi-Lab, a part of the seminar will be devoted to 3D digital technologies for the study of sculpture, such as 3D scanning and photogrammetry. The use of 3D models will be presented in connection with a forthcoming exhibition on the Della Robbia at the Metropolitan Museum in New York (opening in August 2026). The seminar will include a two-sessions introduction, with hands-on experience, to photogrammetry.

 

Introductory bibliography

Cambareri, Marietta, Della Robbia: sculpting with color in Renaissance Florence, exib. cat. [Museum of Fine Arts, Boston, August 9 - December 4, 2016 and National Gallery of Art, Washington, D.C., February 5 - June 4, 2017]. Boston (Mass.), MFA Publications, 2016.

Gentilini, Giancarlo, I Della Robbia. La scultura invetriata nel Rinascimento, Firenze, Cantini, 1992

Gentilini, Giancarlo, ed. I Della Robbia: il dialogo tra le arti nel Rinascimento, exib. cat., [Arezzo, Museo statale d'arte medievale e moderna, 21/02-07/06/2009], Milano, Skira, 2009

Pope-Hennessy, John, Luca della Robbia, Oxford, Phaidon, 1980.

Sarnecka, Zuzanna, The Allure of Glazed Terracotta in Renaisance Italy, London/Turnhout, Harvey Miller/Brepols, 2021 < https://directory.doabooks.org/handle/20.500.12854/150929 >